Contrebassiste, compositrice et arrangeuse


Before making the double bass her instrument of choice, Sarah Murcia studied the piano (first at the CNR in Boulogne, then with François Bou), and the cello for a number of years. She began her apprenticeship in the classes of improvised music given by Manuel and Patricio Villaroel, later becoming a student of Jean-François Jenny-Clark. She obtained a degree in musicology at the Sorbonne and was awarded a prize in orchestration by the Schola Cantorum. 
She has accompanied singers, (Charlélie Couture, Franck Monnet, Fred Poulet, Jacques Higelin, Piers Faccini, Elysian Fields) and improvisers (Sylvain Cathala, Steve Coleman, Kamilya Jubran). Some of these encounters have developped into lasting musical partnerships. 
For the last ten years she has played with the Magic Malik Orchestra, and Las Ondas Marteles (Nicolas et Seb Martel).
At the moment she is a member of the groups Beau Catcheur (duo with Fred Poulet), Sylvain Cathala trio (with Sylvain Cathala et Christophe Lavergne), and Pearls of Swines (with Fred Galiay, Franck Vaillant, Gilles Coronado). 
In 2001, she founded the group Caroline with drummer Franck Vaillant, guitarist Gilles Coronado and saxophonist Olivier Py. Saxophonist Guillaume Orti was added in 2012.
As an arranger, she is involved in various projects, particularly Paul Ouazon’s music programs for television and the research atelier of Arte France.
In 2011, Sarah Murcia and Kamilya Jubran initiated the project Nhaoul’, adding three musicians to their original duo (violin, viola , cello), and in 2013 they launched the project Wasl, a trio with Werner Hasler (trumpet et electronics).
Sarah Murcia also composes music for the cinema and the dance. In 2012 she became musical director for "Baron Samedi", the new creation of choreographer Alain Buffard, and presents also "Everybody", a duo with the choreographer and danser Mark Tompkins. 
In 2012, she does a one year artist in residency at the "Dynamo de Banlieues Bleues" and presents several projects (Caroline and Guillaume Orti, Nhaoul, her solo, as well as a teaching project at the Paul Eluard highschool in Saint Denis, and a creation with BOA and Beau Catcheur).
In 2014 is an artist in resdence at the Triton for a certain number of projects and cartes blanches (Beau Catcheur, a duo with Magic Malik, Caroline and Guillaume Orti, as well as a teaching project with Peter and the wolf for 4 vintage synthesizers).
2015 will be the occasion for two new creations : "Never Mind the future", over the Sex Pistols’ album, with Caroline, Benoit Delbecq and Mark Tompkins ; as well as "Nhaoul/Habka", with Kamiilya Jubran and three new musicians (Régis Huby - violin ; Guillaume Roy - Alto ; and Atsushi Sakaï - cello).
This same year, she joins Louis Sclavis’ quintet with Dominique Pifarély, Benjamin Moussay et Christophe Lavergne. Sylvain Cathala’s trio expands with three new creations – first with Kamilya Jubran, then with Marc Ducret and Mathias Malher, and finally with Guillaume Orti, Bo van der Werf, Marc Ducret and Benjamin Moussay.
In 2017, She forms a new quartet, Eyeballing, with Benoit Delbecq, Olivier Py and François Thuillier and composes Extra, commissioned by Anne Montaron for the radio show Alla Breve at France Musique.
Associate artist for the festival Jazzèbre in Perpignan, she presents most of her current projects and also a pedagogic project.
She also tours with Rodolphe Burger.
In 2018, she performs with the Louis Sclavis quartet, Characters on the wall, with Benjamin Moussay and Christophe Lavergne ; Habka with Kamilya Jubran ; and tours with Rodolphe Burger and her quartets Eyeballing and Caroline. She arranges 12 versions of My Favorite Things for Arte Live Web in collaboration with Paul Ouazan. In residency at the Atelier du Plateau for the season 2018/2019, she also pilots cultural and pedagogic actions for the Dynamo and the MAAD 93.
In 2019, she creates the performance My Mother Is A Fish, after the novel As I Lay Dying by William Faulkner, with her quartet Caroline, Mark Tompkins and Benoit Delbecq. Beau Catcheur, her duo with Fred Poulet, creates la performance Pas d’amusement, (No Fun), that revisits the music of the Stooges.
n 2020, she became an associate artist of the Scène Nationale de Chambéry / Espace Malraux where she led numerous educational and artistic projects, notably with director/writer Fanny de Chaillé, also an associate artist.
Together with de Chaillé, they created Transformé, a show based on Lou Reed’s album Transformer.
Together with Sylvaine Hélary she is co-leading La tête de Lark, a new quintet with Elodie Pasquier, Aloïs Benoit and Sébastien Boisseau.
She plays in Magic Malik new quartet, Base XP Requiem, with Maylis Maronne and Maxime Zampieri.
In 2022, she was involved in the premiere of Steve Lehman’s and Fred Maurin Ex Machina project for ONJ conducted by Fred Maurin.
Together with Kamilya Jubran, she wrote Malek, commissioned by the Orchestre Régional de Normandie (premiered September 2021).
She currently tours with Kamilya Jubran, Rodolphe Burger and Louis Sclavis.
She is an associate artist at the Pannonica in Nantes from September 2022.
In 2023, she is participating as an arranger and player in the Frame by Frame project of Fred Maurin’s ONJ.
She was invited by Benoit Delbecq for a trio premiere with Taylor Ho Bynum at the Pierre Boulez Saal in Berlin.